Only remaining image from Original ending of Stanley Kubrick’s The Shining. This scene was meant to take place between the escape of Wendy Torrance and her son Danny from the homicidal clutches of her deranged husband Jack, played by Nicholson, and the Overlook Hotel and the final images showing a young Jack in a photograph taken on July 4, 1921 at the hotel. After their escape, the scene cuts to a hospital where Wendy is recovering from his horrific ordeal. Stuart Ullman, Jack’s boss at the Overlook), visits her in her room to see how she is recuperating and to invite her and Danny to spend some time at his home in Los Angeles. He then departs but not before giving Danny a green tennis ball. In the scene it is revealed that the police checked the entire grounds of the Overlook and could not find Jack’s body, which creates more questions than it actually answers.

Benedict Cumberbatch as Smaug

Combining practical effects and VFX

Martin Scorsese’s list of 39 essential foreign films

Creating “The Engineer” for “Prometheus”

Wes Anderson on the boat soundstage in “The Life Aquatic”

Rutger Hauer filming “Blade Runner”

All the deaths in Tarantino’s movies

Francis Ford Coppola’s potential cast list for The Godfather

A page from Francis Ford Coppola’s enormous “Godfather” notebook that never left his side while making the 1972 film. After reading Mario Puzo’s novel, the director removed each page and glued it a sheet with margins in order to make notes and observations for each scene

What Boba Fett looks like behind the mask

During Ellen Burstyn’s monologue in Requiem of a Dream about how it feels to be old, Matthew Libatique accidentally let the camera drift off-target. The reason was because he had been crying during the take and fogged up the camera’s eyepiece. This was the take used in the final print.

It took at least three people to bring Teddy to life in Spielberg’s “A.I.”

Buster Keaton was crazy. During the filming of Steamboat Bill Jr in 1928, crew members threatened to quit and begged him not to do this scene. The cameraman admitted to looking away while rolling. A two ton prop comes down, brushes his arm and he doesn’t even flinch!

This shot from the 1926 Buster Keaton movie “The General” has been called the most expensive of the silent era, with a price tag of $42,000 or $570,000 in 2016 dollars

Eli Roth testing the scalping effect from ‘Inglourious Basterds’ (2009)

The original Addam’s Family set photographed in color

First picture of JK Simmons as Jim Gordon

Deadliest actors by on-screen kills in movies

John Matuszak getting his make-up done to be Sloth on the set of The Goonies